Letshuoer Cadenza 12 VS Canpur CP622B

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The 2024 Cadenza 12 makes a strong first impression with premium presentation, though the accessories aren’t flawless. The stock cable looks gorgeous and offers swappable terminations (4.4 / 3.5 / 2.5), but it’s stiff and tricky to coil into the compact case. The metal shell is well-contoured and comfortable with a sensible nozzle lip, yet certain tips can pop off too easily. Overall build feels upscale and weighty without being cumbersome—just expect some practical quirks.

Tonally it sits neutral with a gentle bass lift: clean sub-bass presence without thunder, crisp highs with smooth extension, and a relaxed upper-mid energy that keeps fatigue low. Resolution and imaging are technically adept, but the tuning plays things safe—polished and airy rather than punchy or electrifying. On graphs and by ear it evokes classic “reference” curves (think early Monarch-style balance), trading visceral slam for control and clarity; many audiophiles will find it classy and coherent, while thrill-seekers may wish for more bite.

Against peers, it recalls sets that graph beautifully yet feel a touch reserved in the bass and presence regions. Comparisons to options like Europa highlight how a bit more sub-bass and 4–6 kHz zest can add sparkle and engagement; a light EQ lift to bass and upper mids wakes the Cadenza 12 up nicely. As delivered, it’s a refined, wide, and airy listen that prioritizes neutrality and detail over spectacle—recommended for listeners chasing a mature, low-fatigue signature rather than a high-octane ride.

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Canpur CP622B makes a striking first impression with a premium case, tidy accessories, and a shimmering faceplate—but the shell is huge, bordering on chunky, and can push fit comfort limits over longer sessions. Sonically, it hits with authoritative sub-bass and impressive extension, yet the overall presentation skews dark; vocals sit a touch recessed, with a wish for more 1.5–3 kHz presence and a bit more upper-air sparkle. Out of the box it already thumps, but a light EQ lift to upper mids and bass can coax out more vibration and energy.

On graphs and in A/Bs, the CP622B comes off as a specialist: fantastic low-end texture (bass judged around 9.5 for level), solid resolution and stage, but imaging feels slightly constrained by the muted 3 kHz region. Compared with peers, FATfreq Grand Maestro reads like the safer “one-and-done” all-rounder with more flair up top; Aful Cantor delivers comparable presence at a fraction of the cost; Hisenior Mega5-EST Bass offers a friendlier fit and a tuning that can feel just a hair more balanced; and as a personal north star, Elysian Annihilator 2023 still sets the bar for extension and excitement. Net: a fantastically built, bass-thrilling CP622B that shines with hip-hop/R&B and cinematic lows, but reads as niche and pricey—a connoisseur’s piece for big collections rather than a first-pick endgame.