Binary Dynaquattro VS Kiwi Ears Quintet

IEM Comparison: Expert & Community Scores Side-by-Side

Binary Dynaquattro and Kiwi Ears Quintet use 4DD and 1DD+2BA+1P+1PST driver setups respectively. Binary Dynaquattro costs $260 while Kiwi Ears Quintet costs $220. Binary Dynaquattro is $40 more expensive. Binary Dynaquattro holds a decisive 1.5-point edge in reviewer scores (7.8 vs 6.3). Binary Dynaquattro has significantly better mids with a 1-point edge, Binary Dynaquattro has significantly better treble with a 2-point edge, Binary Dynaquattro has significantly better dynamics with a 1-point edge and Binary Dynaquattro has significantly better soundstage with a 1-point edge.

Insights

Jaytiss Score
Binary Dynaquattro
7.8 /10
Jaytiss Score
Kiwi Ears Quintet
6.3 /10
Score gap: 1.5
Metric Binary Dynaquattro Kiwi Ears Quintet
Mids 6 5
Treble 6 4
Soundstage 7 6
Dynamics 8 7
Tonality 6.8 5.3
Technicalities 6 4
Take these comparisons with a grain of salt—we don't have enough Binary Dynaquattro and Kiwi Ears Quintet reviews saved yet to provide an unbiased result.

Jaytiss Reviews Comparison

Binary Dynaquattro reviewed by

Jaytiss 7.8 Reviewer Score
B+ Tuning
B Tech
It has great tuning, but lack serverly in some areas. Very fun.
Youtube Video Summary

Binary Dynaquattro comes dressed to impress: a larger, comfy shell that sits better than it looks, though seating can be a touch finicky. Accessories feel thoughtfully chosen—a Pelican-style case, usable tips, and a standout cable with a screw-lock modular plug (ships with 4.4 mm) and a handsome gunmetal vibe; the chin slider actually works and handling is supple with a slight rubbery grip. Build notes versus peers: it’s notably bigger than Gizaudio Chopin (flat 2-pin vs. Chopin’s recessed) and a bit larger than AFUL Magic One, but overall comfort remains solid.

The tuning aims dead at a preferred target: rich, deep sub-bass with restrained mid-bass for a clean foundation, energetic mids, and a deliberate 4–6 kHz dip to keep fatigue low; air is “good for the price,” with upper-treble sparkle the only wish-list item. Technicals read 9.5/10 bass, 9.5/10 mids, highs a notch behind, plus nice imaging, pleasing note weight, and a natural stage/resolution balance. Versus the field: deeper, higher-quality bass than Chopin; competes surprisingly well with the pricier Thieaudio Oracle MK3; more engaging than the neutral-leaning Moondrop x Crinacle Dusk; preferred over Project M thanks to truer target adherence; trades blows with Dunu Da Vinci (Da Vinci = a touch more upper air; Dynaquattro = better bass/mids). Close kinship with Juzear 61T (choose Dynaquattro for richer bass, 61T for a more inoffensive, cheaper take), and consider Letshuoer Cadenza 4 if similar mids with less bass is the brief.

In practice this is a fun, fatigue-lite, bass-quality-first all-rounder with tuning doing the heavy lifting—“tuning trumps technicality” in the best way. The package, from the utilitarian accessories to the modular cable, matches the sonic story: high value, target-true, and easy to recommend for music and gaming (9/10). Call it a five-star pick and a “100-point overall” vibe for listeners who want clean sub-bass authority, lively mids, and a relaxed upper-mid/low-treble that invites longer sessions without dulling the experience.

Mids: B Treble: B Dynamics: A+ Soundstage: A-

Jaytiss original ranking

Jaytiss Youtube Channel
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Binary Dynaquattro Details

Driver Configuration: 4DD

Tuning Type: n/a

Price (Msrp): $260

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Kiwi Ears Quintet Details

Driver Configuration: 1DD+2BA+1P+1PST

Tuning Type: Neutral with Bass Boost

Brand: Kiwi Ears Top Kiwi Ears IEMs

Price (Msrp): $220

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Binary Dynaquattro Scorings

Average Technical & Tuning Grades

Average Tunign Grade

B+
  • It sounds pleasant overall, with some uneven spots that hint at room for refinement. Vocals remain pleasant despite the imperfections.

Average Technical Grade

B
  • The presentation is steady if unspectacular, holding onto essential details when the music stays simple. Fine details occasionally slip through the cracks.
Mids B
The mids are articulate and well-balanced, lending body to instruments. Instrument layering remains stable.
Treble B
Treble response is good, delivering clarity and sparkle without fatigue. Hi-hats sound lively without sting.
Dynamics A+
Dynamic range is superb, blending powerful impact with nuanced control. It captures both whisper and roar effortlessly.
Soundstage A-
The stage stretches in every direction, carving out clear three-dimensional pockets for each player. Placement accuracy impresses from the start.

Kiwi Ears Quintet Scorings

Average Technical & Tuning Grades

Average Tunign Grade

C+
  • Expect a friendly tonal balance that could use polish but remains inviting. Great for casual listening, less so for purists.

Average Technical Grade

C-
  • Textural information blurs together, making the stage feel pinched and gray. Instrument edges blur together frequently.
Mids C+
It presents a stable midrange foundation suitable for everyday listening. Clarity is serviceable without standing out.
Treble C-
The top end sounds acceptable but lacks the smoothness of higher tiers. Air is hinted at more than delivered.
Dynamics A-
Dynamic performance is excellent, combining sharp transients with strong contrast. Transients snap with authority.
Soundstage B
Good soundstage with proper width and depth, placing instruments in clearly defined positions. Instruments sit in their own lanes.

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