Softears RSV VS TangZu Tian Peng

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Softears RSV brings a 5BA recipe with a shell that’s handsome but larger than average, featuring a recessed 2-pin that can fuss with some cables. Comfort is generally fine, yet the size and wide body may test smaller ears. Sonically it’s a neutral-leaning tuning with clean mids and polite highs, but the presentation trades off texture, sub-bass weight, and upper-air sparkle. Stage feels spacious, extension is more average, and while the technicalities are solid, the current crop of mid-fi monitors has pushed beyond what this 2021 design delivers.

Stacked against today’s options, RSV gets pressure from several directions: Elysian Pilgrim hits harder down low with greater perceived clarity; Supernova offers a more natural tonality and better sub-bass; HiSenior Mega5 EST graphs similarly but adds a touch more air; even value picks like a “super mix”/EM10-style V-tune bring fun, slam, and engagement. RSV remains easy to pair and its upper-mids are tastefully set, yet vocals can feel a bit soft—more “fun and cozy” than pristine. At typical new pricing around the mid-$500s it’s tough to champion; catch it closer to $350–$400 (or a good used deal) and it becomes a very enjoyable pick for those who prize smooth mids over maximum bass grip and airy bite.

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TangZu Tian Peng arrives as a 1DD + 6BA + 1 bone-conduction hybrid around $630–$650 with a striking, oversized shell that still wears comfortably. The build feels premium: sturdy two-pin sockets, a handsome 4.4 mm cable with a reliable chin slider, and a generous accessory spread including Sancai/Noble-style tips and a genuinely luxury case. Packaging is a highlight—easily in the top tier of unboxings and a big part of the product’s appeal.

Sonically, performance sits in the “fine but middling” camp. The graph promises tasteful bass and controlled upper mids, but in practice the low end lacks impact—coming across a bit flabby—while the mids and treble are merely decent rather than crisp or pristine. Extra energy around 4–6 kHz and ~8 kHz can add hiss/edge, and the overall tone could use more warmth (think earlier bass rise near ~200 Hz). It’s an improvement over the discontinued Baji in air and detail, yet still feels short of expectations at this price.

In comparisons, alternatives like Symphony Ears Prestige (clearer tuning with better balance), Mangird/Xenns Top Pro (more pristine, better controlled treble), Shuoer YU9 (smarter bass rise), or even fun picks such as Punch Audio Martillo and the Zigge Crescent offer stronger value or more engaging sonics. The Tian Peng’s bone-conduction implementation brings some charm but doesn’t transform the experience; given the price-to-performance mismatch, this is a hesitant recommendation—worth a demo if the aesthetics and packaging allure, but not the go-to for pure sound quality.